Instruction

How To Make Ray Gun Beams

November 29, 2011

in Instruction

I recently did a Space Girl photoshoot with model Annabell Bella and thought I’d share a Photoshop technique that I used.

It was based on this YouTube video, but modified for my application.

Here’s the final product:

Here’s where I started:

I did all of my normal retouching on the model part off it, but then I wanted the ray guns to actually be shooting something.I wasn’t going for realistic, but rather a retro Sci Fi look like Flash Gordon or Barbarella, with a little Steampunk influence.

Create a New Layer. I tried to keep this as non-destructive as possible.
Select and configure the gradient tool – Open gradient config by clicking on the gradient in the top tool bar.
– Switch type to Noise
– Hit Randomize until you get a gradient with different tones.
– Click OK
Holding the shift key down and drag from top to bottom of the canvas. This will create a gradient with lots of horizontal lines of color.
Desaturate the whole layer. Cmd-Opt-U. Now all those lines are shades of gray.
Hit Cmd-T (Free Transform)
– Grab the top middle handle, hold the shift and options keys down and drag down.
– The gradient will compress into the center. Make it the widest size of the beam.
Using Free Transform, make it the length you need.
You can save after this as it is still horizontal. Just duplicate the layer and hide one of them. Now you can used this layer to do similar beams later.
Move the beam into place

Select Perspective, by control/right clicking while in Free Transform
– Move the corners at the barrel so they line up with 2 points on the gun.
– Narrow the other end of the beam
Select Warp, again by control/right clicking while in Free Transform
– Shape the barrel end to cover the circular opening of the barrel.
– Put a little curve/narrowing in the beam to look cool.
– Done with transform, click the check box

Duplicate your beam layer.
Double the side of your beam layer copy. Select Free Transform again and enter 200% in the H & W Fields

Blur the heck out of the big beam. Blur->Gaussian Blur at 100 px. The bigger beam with almost disappear.
This is your glow. It may not be exactly where you want it. Feel free to move it around to make it right.

Make a new layer.
Select the brush tool and pick a brush size about 2x your beam size.
Now pick three or four colors and just draw over sections of the big beam in your new layer. Move from the barrel to the end of the beam making little patches of color all the way down.

Now – with the color layer selected – do Gaussian Blur. 100 will probably work, but you can mess with it.

The beam glow may look a little weak. Try duplicating the layer so you have two color layers on top of each other. Try setting the new layer to Overlay or one of the other transfer modes to get some different color and intensities. You may need more than one layer to get the effect you want.

If you now have multiple color layers, you may want to collapse them into one.
Once you have the beam covered in colors, duplicate your color layer. Move your new color layer over the small beam layer.
You now have
color 1
big beam
color 2
small beam

Put your cursor on the line between the top two layers and hold down the option key. Click on the line and the color will be mask to the layer below it.
Repeat for the small beam.

Once your color layers are masked/attached to the beam layers, set their layer mode to Color. Now your lines are back in your beam.

You should now have a glowy beam.

This is just one way to do it and it may not be the look you are going for. Here’s some things you can mess with and tweek try to get a cool beam.
If the lines in the beam from the small beam are too distinct try doing a radial blur down the beam to get a better look.
Change the opacity of the blurred beam so it isn’t 100 percent. You can also change its size.

{ Have something so say about this? Join us in the P&M Community. }

I’ve been shooting a lot of digital video with my D7000. Maybe more than I’ve been shooting stills, but very little of it has ended up actually finished.

Right now I have footage from a wedding I attended months ago, footage of shoes I made for a trailer concept shot before the wedding, and interviews I recorded two weeks ago at a photography worksop.

I like the footage. The shoes stuff has some interesting angles and camera movements. The wedding stuff shows of what you can do with a DSLR. The interviews are very pretty.

All of it is important to me. Shoes stuff was a new website I wanted to do. Wedding are good friends of the family. Interviews are related to someone I’d like to work with.

So why is the only thing I’ve published this 2 minute video about how to make Ramen Noodles?

Because when I load all the other project’s footage into Final Cut and start looking at it, I’m lost about where to start.

All the footage is there, and it looks nice, but I don’t know what order to put things in. There may or may not be everything I need. So I get a feeling of overwhelm and move on to something I can do right now.

What made this Ramen Noodle video different so I get it done in a week?

Because I preplanned it and actually shot what I needed knowing how I would use it.

Preproduction make editing so much easier. I could lay down the footage quickly. I knew what to cut and what to use. Then it was on to other things, like audio and titles.

Doing titles took the most time, but even that wasn’t that much time. I had figure out how to do some stuff which meant moving to Motion and figuring it out, which slowed me down. (BTW: I still prefer After Effects to Motion, but the Motion integration is so easy)

Then it was done and I could figure out how to do the uploading right. All the video formats and uploading methods are just complicated. It is the most confusing part of the process and no one has made it easy, not even Apple.

In the beginning of any new endeavor you have a lot to learn. Those learning moments are going to take some time. Preplanning – wether of a video or a photoshoot – is something you can do to make things go smoother.

In the future I’ll make behind the scenes how to stuff to give y’all some learn’n.

{ Have something so say about this? Join us in the P&M Community. }